Chinese Animation: Multiplicities in Motion

The Manchukuo Film Association and Its Afterlives: Animated Filmmaking in Wartime and Postwar Peking

Melting the Iron Curtain: Political Immediacy, Metal-morphosis, and the Caricatured Western Leaders in Agitprop Animation in Socialist China, 1949–65

中国动画的世界性：兼谈海外华语动画研究的现状

“暂停动画”：万氏兄弟以及内地与香港平淡有奇的相遇（1947—1956）

A Theory of Suspended Animation: The Aesthetics and Politics of (E)motion and Stillness

Animation and the Epistolary Fandom in Socialist China

Animated Encounters: Transnational Movements of Chinese Animation, 1940s-1970s

Shanghai Animation Film Studio and Socialist Collectivism

Socialist Modernity in the Wasteland: Changing Representations of the Female Tractor Driver in China, 1949-1964

Suspended Animation: The Wan Brothers and The (In)animate Mainland-Hong Kong Encounter, 1947–1956

The Dis/appearance of Animals in Animated Film during the Chinese Cultural Revolution, 1966-1976

Animating the Lyrical and the Philosophical in Political Time: On Ink-painting Animated Film The Herd Boy’s Flute (1964)

International Childhood Fraternity: Imagining the West in Animated Film in Socialist China, 1949-1966

The Dis/appearance of Animals in Animated Film during the Chinese Cultural Revolution, 1966–76

Representing Children in Chinese and US Children's Literature [Book review]

International Childhood Fraternity: Imagining the West in Animated Film in Socialist China

International Childhood Fraternity: Imagining the West in Animated Films in Socialist China

Political Immediacy, Metal-morphosis, and the Caricatured Western Leaders in Agitprop Animation in Socialist China, 1949-1965

The Dis/appearance of Animals in Animated Film during the Chinese Cultural Revolution, 1966-1976

The Dis/appearance of Animals in Animated Films during the Chinese Cultural Revolution, 1966-1976

Chinese Literature and the Child: Children and Childhood in Late-Twentieth-Century Chinese Fiction [Book review]

A Wartime Romance: Princess Iron Fan and the Chinese Connection in Early Japanese Animation

From Monkey King to Astro Boy: The Roles of Chinese Animation in Tezuka Osamu's Manga and Anime

Socialist Modernity in the Wasteland: Representing the Tractor Girl in China, 1949-1964

The Wan Brothers and Their Animated Filmmaking in Hong Kong, 1947-1954

Aesthetics of Absence: Theorizing Chinese Ink-Painting Animation

Socialist Modernity in the Wasteland: Representing the Tractor Girl in China, 1949-1964

“New Asian Female Ghost Films," A review of The New Asian Female Ghost Films: Modernity, Gender Politics, and Transnational Transformation, by Hunju Lee.

Living under the same roof: A genealogy of the family romance between mother-in-law and daughter-in-law in modern chinese hi/story

Public Execution and Social Redemption: From Lu Xun to Yu Hua

The Dis/appearance of Animals in Animated Film during the Chinese Cultural Revolution

“A Narrow Cage,” review of Developmental Fairy Tales: Evolutionary Thinking and Modern Chinese Culture (Andrew Jones, 2011)

Salvaging Memories from the Ruins of the Three Gorges

Shanghai Spaces and Histories, review of Years of Red Dust: Stories of Shanghai (Qiu Xiaolong, 2010)

Diffusion of Absence: The Official Appropriation of Yuan Zhen in Modern Tongzhou

Documenting Three Gorges Migrants: Gendered Voices of Dis/placement and Citizenship in Rediscovering the Yangtze River and Bingai

The Failed Madman in ‘Dead Quiet and Emptiness:’ Death Drive and the Gendered Melancholic Subject in Lu Xun’s ‘Regret for the Past

The Spring Rain Festival in Hou ren (Man at Arms), A Poem of the Book of Songs

Sexualized Confucianism and Confucian Sexuality: A Critique of Rey Chow’s “Mandarin Ducks and Butterflies: An Exercise in Popular Readings”

The Fire and the Rose Are One: The Dantesque Purification of Language in T.S. Eliot’s ‘Little Gidding

Modern Chinese Cinderella in Jianghu, review of Chinese Cinderella and the Secret Dragon Society (Adeline Yen Mah, 2004)

Animated Encounters: Transnational Movements of Chinese Animation, 1940s-1970s

Book

Shanghai Animation Film Studio and Socialist Collectivism

Conference paper

Socialist Modernity in the Wasteland: Changing Representations of the Female Tractor Driver in China, 1949-1964

Article

Suspended Animation: The Wan Brothers and The (In)animate Mainland-Hong Kong Encounter, 1947–1956

Article

The Dis/appearance of Animals in Animated Film during the Chinese Cultural Revolution, 1966-1976

Book chapter

Animating the Lyrical and the Philosophical in Political Time: On Ink-painting Animated Film The Herd Boy’s Flute (1964)

Conference paper

International Childhood Fraternity: Imagining the West in Animated Film in Socialist China, 1949-1966

Conference paper

The Dis/appearance of Animals in Animated Film during the Chinese Cultural Revolution, 1966–76

Article

Representing Children in Chinese and US Children's Literature [Book review]

Book review

International Childhood Fraternity: Imagining the West in Animated Film in Socialist China

Conference paper

International Childhood Fraternity: Imagining the West in Animated Films in Socialist China

Conference paper

Political Immediacy, Metal-morphosis, and the Caricatured Western Leaders in Agitprop Animation in Socialist China, 1949-1965

Conference paper

The Dis/appearance of Animals in Animated Film during the Chinese Cultural Revolution, 1966-1976

Conference paper

The Dis/appearance of Animals in Animated Films during the Chinese Cultural Revolution, 1966-1976

Conference paper

Chinese Literature and the Child: Children and Childhood in Late-Twentieth-Century Chinese Fiction [Book review]

Book review

A Wartime Romance: Princess Iron Fan and the Chinese Connection in Early Japanese Animation

Conference paper

From Monkey King to Astro Boy: The Roles of Chinese Animation in Tezuka Osamu's Manga and Anime

Conference paper

Socialist Modernity in the Wasteland: Representing the Tractor Girl in China, 1949-1964

Conference paper

The Wan Brothers and Their Animated Filmmaking in Hong Kong, 1947-1954

Conference paper

Aesthetics of Absence: Theorizing Chinese Ink-Painting Animation

Conference paper

Socialist Modernity in the Wasteland: Representing the Tractor Girl in China, 1949-1964

Conference paper

“New Asian Female Ghost Films," A review of The New Asian Female Ghost Films: Modernity, Gender Politics, and Transnational Transformation, by Hunju Lee.

Article

Living under the same roof: A genealogy of the family romance between mother-in-law and daughter-in-law in modern chinese hi/story

Article

Public Execution and Social Redemption: From Lu Xun to Yu Hua

Conference paper

The Dis/appearance of Animals in Animated Film during the Chinese Cultural Revolution

Conference paper

“A Narrow Cage,” review of Developmental Fairy Tales: Evolutionary Thinking and Modern Chinese Culture (Andrew Jones, 2011)

Article

Salvaging Memories from the Ruins of the Three Gorges

Article

Shanghai Spaces and Histories, review of Years of Red Dust: Stories of Shanghai (Qiu Xiaolong, 2010)

Article

Diffusion of Absence: The Official Appropriation of Yuan Zhen in Modern Tongzhou

Article

Documenting Three Gorges Migrants: Gendered Voices of Dis/placement and Citizenship in Rediscovering the Yangtze River and Bingai

Article

The Failed Madman in ‘Dead Quiet and Emptiness:’ Death Drive and the Gendered Melancholic Subject in Lu Xun’s ‘Regret for the Past

Article

The Spring Rain Festival in Hou ren (Man at Arms), A Poem of the Book of Songs

Article

Sexualized Confucianism and Confucian Sexuality: A Critique of Rey Chow’s “Mandarin Ducks and Butterflies: An Exercise in Popular Readings”

Article

The Fire and the Rose Are One: The Dantesque Purification of Language in T.S. Eliot’s ‘Little Gidding

Article

Modern Chinese Cinderella in Jianghu, review of Chinese Cinderella and the Secret Dragon Society (Adeline Yen Mah, 2004)

Article